Participant Info

First Name
Marissa
Last Name
Vigneault
Affiliation
Utah State University, Caine School of the Arts, College of Arts & Sciences, Utah State Univerisity
Website URL
https://artsci.usu.edu/art-design/directory/faculty/vigneault-marissa
Keywords
feminist art, body and performance art, gender and performance studies, history of burlesque and striptease, art and technology
Additional Contact Information
www.linkedin.com/in/marissa-vigneault-384957196

Personal Info

Photo
About Me

Dr. Marissa Vigneault is an art historian and Associate Professor of Modern and Contemporary Art at Utah State University who works at the intersection of art, performance, and the politics of the body. Moving between photography, popular media, and live performance, she traces how images of gender and sexuality migrate from parlors and picture cards to stages, screens, and strip clubs, blurring the lines between high art and low culture. An Andre W. Mellon Senior Fellow at The Metropolitan Museum of Art (2019-2020) and recipient of a Mellon Utah Presidential Leadership Fellowship (2023-2024), she has published widely on feminist-driven body, performance, video, and digital art. She continues to research and write on the pioneering feminist artist Hannah Wilke (1940-1993) and the visual and material history of nineteenth and early twentieth-century American cigarette and tobacco insert cards depicting Vaudeville and burlesque “beauties.” She also holds an MBA (2026) from the University of Utah, bringing an interdisciplinary lens to questions of cultural production, speculative value, and economics of the body. 

Recent Publications

“Selling Out: Art, Stripping, and Desire” in Sex on Stage: Performing the Body Politic, eds. Alison J. Carr and Lynn Sally (London: Bloomsbury, 2025), 35-48.

Exhibition review of Pacita Abad, MoMA PS1. Panorama: Journal of the Association of Historians of American Art 10, no. 2 (Fall 2024).

Review of Hannah Wilke: Art for Life’s Sake, eds. Tamara H. Schenkenberg and Donna Wingate. Woman’s Art Journal 45, no. 1 (Spring/Summer 2024): 59-61.

“Hannah Wilke’s Noh: Art, Feminism, and Pornography in the 1970s.” Archives of American Art Journal 63, n. 1 (Spring 2024).

“Pos(t)ing Online, or Through the Glass for Looking.” Panorama: Journal of the Association of Historians of American Art 9, no. 1 (Spring 2023).

“Review of Lauren Fournier, Autotheory as Feminist Practice in Art, Writing, and Criticism (Cambridge, Massachusetts: The MIT Press, 2021). caa.reviews (2022).

“Reading Hannah Wilke’s S.O.S. (Starification Object Series) in the Era of #MeToo” in Iconic Artworks by Feminists and Gender Activists: Mistress-Pieces, ed. Brenda Schmahmann (New York and London: Routledge, 2021), 87-101.

Media Coverage
https://podcasts.apple.com/us/podcast/betwixt-the-sheets-the-history-of-sex-scandal-society/id1612090432?i=1000772378357
Country Focus
United States
Expertise by Geography
Expertise by Chronology
19th century, Modern, 20th century, 21st century
Expertise by Topic
Art & Architectural History, Gender, Museums, Sexuality, Technology, Women